Pirates of Silicon Valley (1999)

Description[from Freebase]

Pirates of Silicon Valley is a 1999 made-for-television film directed by Martyn Burke and based on the book Fire in the Valley: The Making of The Personal Computer by Paul Freiberger and Michael Swaine. The film documents the impact on the development of the personal computer of the rivalry between Apple Computer and Microsoft. It spans the time period of the early 1970s to 1997, when Steve Jobs (Noah Wyle) and Bill Gates (Anthony Michael Hall) develop a partnership after Jobs returns to Apple Computer. It aired on Turner Network Television on April 6 & 7, 1999. The film opens with the creation of the 1984 commercial for Apple Computer, which introduced the first Macintosh. Steve Jobs (Noah Wyle) is speaking with director Ridley Scott (J. G. Hertzler), trying to convey his idea that "We're creating a completely new consciousness." Scott, however, is more concerned at the moment with the technical aspects of the commercial. The film then flashes forward to 1997 as Jobs, who has returned to Apple, is announcing a new deal with Microsoft at the 1997 Macworld Expo. His partner, Steve Wozniak (Joey Slotnick), is introduced as one of the two central narrators of the story.

Review

Pirates of Silicon Valley

From the outside there isn’t much more like ‘The Man’ than you can get than Microsoft. It’s chaired by the richest man in the world, rakes in $20 billion a year just off of two products, and if you’re reading this, chances are you’re using something the company made right now. And according to that smaller percentage reading this on Firefox or their favorite Mac, it’s all because they stole it from Steve Jobs and Apple. Or did they?

If the title wasn’t a dead giveaway, this is a movie about the geek business, or at least the personality of the geek business. Specifically, it’s about the rise and fall of Apple (yes, Apple was on top for a while and Microsoft was the underdog) and the punches that the little guy (Microsoft, I swear) pulled trying to beat the big guys (IBM and Apple).

Front and center are Bill Gates (Anthony Michael Hall overplaying Machiavelli) and Steve Jobs (Noah Wyle overplaying the hypocritical hippie). In the wings with one liners and side explanations are the designer of the Mac, Steve Wozniak (Joey Slotnick), and the two most famous right hand men of Microsoft, Paul Allen (Josh Hopkins) and Steve Ballmer (John Di Maggio).

The film dutifully details the skyrocketing of Apple from a manufacturer of the first cookie cutter color PCs (the Apple II that didn’t leave your high school until well after you did) to one of the biggest personal computer companies to the giant taken down by the people that helped build it up (don’t you know, Microsoft helped make the original Macintosh operating system).

The movie also showcases the big sneaky moves of the business. It shows how Apple grabbed the idea of the GUI from Xerox, how Microsoft got the first DOS from someone else, and how Microsoft started making its own interfaces. Pirates of Silicon Valley also paints an anecdotal picture of the insanity of Jobs and Gates — Jobs incites cross product team food fights, Gates drives a bulldozer on the grounds of the Redmond campus.

The primary problem with Pirates of Silicon Valley is that it paints every person and event in it like Central Park caricatures. Wyle tries too hard at being the brilliant asshole. Anthony Michael Hall plays Bill Gates like the unpopular kid trying to take over the clubhouse. It also plays lip gloss to a lot of the real reasons for the popularity of Windows (hardware interoperability, business computing needs, supply chain distribution, and developer friendliness).

By no stretch is Pirates of Silicon Valley robbing you of your time. If you’ve read this far through the review, chances are you’ll find the flick interesting. If you ever wanted to know how the juggernaut grew, then go ahead and Netflix it.

Ay, dios mio!

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