Fresh (1994)

Description[from Freebase]

Fresh is a 1994 crime film written and directed by Boaz Yakin in his film directorial debut, and produced by Lawrence Bender (seen in a cameo appearance), who was riding the wave of success of Reservoir Dogs. It was scored by Stewart Copeland, an member of The Police. Marketed as a hip hop 'hood film, Fresh went relatively unnoticed by the public, but won critical acclaim. An emotional coming of age story, it offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic. "There's shocking resonance to the notion of a grade-school boy who's become a criminal out of sheer pragmatism," wrote Entertainment Weekly's Owen Gleiberman. "Sean Nelson, who plays Fresh, is a wondrous young actor." The film enjoys a 90 percent critics' rating on Rotten Tomatoes, and a 89 percent audience rating. Michael, nicknamed Fresh (portrayed by Sean Nelson), is a 12-year old kid running drugs for gangsters, notably Esteban (Giancarlo Esposito). Inspired by the chess lessons of his father, an alcoholic speed-chess master (Samuel L.

Review

Acclaimed, but why? Fresh is the nickname of the prototypical urban street punk (Sean Nelson), who runs drugs for the local hoods when he isn't busy attending dogfights, witnessing murders, visiting his prostitute sister, or playing chess with his homeless father in the park. Presumably, we are meant to sympathize with Fresh because he's a chess player, and hence an intellectual, but when he launches his plan to turn the tables on his drug bosses, it's hard to rally behind him. Extremely disturbing and unnecessarily violent, Fresh plays like Spike Lee for Dummies.
by Christopher Null, Filmcritic.com
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