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Lawrence of Arabia (1962)
Lawrence of Arabia is a 1962 British epic film based on the life of T. E. Lawrence. It was directed by David Lean and produced by Sam Spiegel through his British company, Horizon Pictures, with the screenplay by Robert Bolt and Michael Wilson. The film stars Peter O'Toole in the title role. It is widely considered one of the greatest and most influential films in the history of cinema. The dramatic score by Maurice Jarre and the Super Panavision 70 cinematography by Freddie Young are also highly acclaimed. The film depicts Lawrence's experiences in Arabia during World War I, in particular his attacks on Aqaba and Damascus and his involvement in the Arab National Council. Its themes include Lawrence's emotional struggles with the personal violence inherent in war, his personal identity, and his divided allegiance between his native Britain and its army and his newfound comrades within the Arabian desert tribes. The film is presented in two parts, separated by an intermission. In 1935, T. E. Lawrence (Peter O'Toole) is killed in a motorcycle accident.
Based on the autobiographical writing of British officer T.E. Lawrence during World War I, Lawrence of Arabia depicts Lawrence (played by then-unknown actor Peter O'Toole) as a lieutenant lacking any sort of military discipline whatsoever. Bored with his assignment of coloring maps for the British Army in a dimly lit headquarters building, Lawrence jumps at the opportunity to be re-assigned as an observer for an Arabian prince fighting against the Turkish army. Lawrence quickly sees just how caring and great these desert dwelling people can be and ends up rallying the various tribes together to fight the Turks and help the British turn the tide of World War I.
Shot in Panavision's famed Super 70mm format, the film beautifully illustrates the definition of the word epic. It is absolutely breathtaking. Using stunning cinematography, costuming, and direction, shot in the most uninhabitable location on the face of the earth, I can only imagine what it must have been like to sit in a theater in 1962 and watch this story unfold before my eyes. Every shot is choreographed as a portrait -- a living tribute to a great land. David Lean put his reputation on the line to get this film completed, and the fact that it was even greenlit in the first place says something about the ideology of the motion picture industry at the time, a far cry from its pathetic, uncreative existence today.
After watching the film, the first thing that came to my mind was, 'I've got to do a remake of this film!' But then I thought about trying to pitch the idea to a modern-day movie executive: 'Okay, it's going to be almost four hours long and shot over three months on location in the Sahara desert. We are going to need to blow up a full-size train because computer-generated effects probably wont do it justice. And we are not going to use any big stars, and won't have any female actors since there's no love story.'
Yes, my friends, the velvet curtain fell on the golden-era of Hollywood a long time ago. But at least we still have the proof to show all would-be producers and directors out there just how good a film can be.
O'Toole on top.